This is only the second recording of the KAZE quartet, though the quartet sounds as if these four musicians have been playing and known each other for many years. The quartet members have formed an immediate bond and imaginative communication, in studio, on stage and off stage, but there is more to the picture. Each of them, individually and together as a powerful unit, are gifted storytellers. The five compositions on Tornado tell us enchanting, fascinating and bewildering stories.
The stories that pianist Satoko Fujii, trumpeters Natsuki Tamura and Christian Pruvost and drummer Peter Orins wish to tell us are not ones that aim for simple, straight ahead narratives. These complex, multi-layered stories divert into many side alleys, full of weird distractions and exotic, amusing surprises. But these stories manage to keep the tension throughout and seize our imagination.
The five compositions – penned by Tamura, Orins and Fujii, reveal their many secrets after repeated listenings. First these compositions bewitch you with their level of intense and focused energy, the imaginative and commanding musicianship, and, obviously, the infinite musical vocabulary. Then you are tempted to learn more about the raging and dramatic interplay, to understand the extended breathing techniques of Tamura and Pruvost, maybe even attempt to reconstruct a coherent sequence of sonic events. But again and again you find yourself surrendering to these exceptional and arresting musical stories, adopting their unique, intuitive perspectives.
These elaborate compositions-stories succeed to penetrate into our inner souls, to hold our attention and expand our imagination because they are so vivid and true. They tell us something profound about the most honest commitment to art, the responsibility of an artist to communicate her or his art with passion; to move and motivate us with this art and to reconnect us with our often repressed thoughts and desires; asking us to be alive, now, in this moment, to fully enjoy this most inspiring and beautiful music.
~Eyal Hareuveni
credits
released June 1, 2013
Recorded October 2 and 3, 2012 by Patrice Kubiak at Studio Ka, Faches Thumesnil (F). Mixed on December, 2012 by Peter Orins. Mastered on January 2013 by Scott Hull at Scott Hull Mastering, New York.
I really appreciate that with such a large group of musicians the overall sound and experience of listening is really spacious, never cluttered. The lovely recording helps that a lot, and of course the compositional aspects that make it breathe are superb- it gets more and more fun as I listen again and again. Jasper Skydecker
Total mastery of patience, time, and drama create a constantly engaging journey that never gets tiresome or same-y: in fact the harder you listen the better it gets! Somehow Sorey et al. find a way to combine the deep listening and spontaneous interaction of the best jazz with the sense of every tone and sound being worth a universe of listening, which could be equally from Cage and Feldman or the accompaniment to an ancient ritual.
The recording/engineering is absolutely perfect as well. Giles
The meditative songs on "Earthly Delights" float seamlessly into each other on this rediscovered masterpiece by a free-jazz virtuoso. Bandcamp New & Notable May 17, 2019
The seventh full-length from De Beren Gieren walks the line between spooky library music and free improv, shapeshifting constantly. Bandcamp New & Notable Apr 12, 2024
Eve Risser was always groovy and melodic in her own way, she just knew how to hide it well. But here on her new record with Red Desert Orchestra, her band built around West African musicians, it shines through even more. And as always, great music. jiristepan